The Black Cube Beneath the Sands
The sun burned with a patient insistence as we rode the last dune into a horizon that seemed to tilt and blur, as if the desert itself were leaning closer to listen. We traced a stubborn line in the maps until the grain of sand shifted and revealed a shape no wind could pretend to hide: a cube, perfectly black, half-buried where heat and time had kept quiet. It was neither temple nor ruin, but something else entirely—an artifact that did not want to be found, yet could not be left alone.
Discovery
Its edges were sharp as a blade, its faces flawless as if carved by a hand that knew geometry better than mercy. There were no runes, no symbols, only a cold sting along the fingertips when we dared to touch it. The moment our palms brushed the surface, the desiccated air tightened, and the world narrowed to the cube and the breath that refused to leave our lungs. Sand moved not with the wind but with a patient, deliberate intention, curling along the base as if the desert itself were lifting the cube to look at us more closely.
- The cube hums—low, insistent, like a distant engine you should not hear but cannot ignore.
- Sand around it sings in a language of grains, a tremor that travels up the spine and settles in the brain.
- Visions arrive in the corners of the eyes: a city of glass and flame buried beneath a thousand years of dunes.
Consequences
When we lifted the artifact, the world shifted. The day lengthened unnaturally, shadows crawled in patterns we could not interpret, and the air grew thick with a scent that suggested both rain and rust. Voices pressed against the eardrums, fragments of names we did not know, promises we could not refuse. The desert opened itself, not as a void but as a memory—one that remembered every step we took and every breath we stole from its quiet breath.
“If you listen long enough, the desert will tell you where it buried you.”
We argued, we argued again, about leaving the cube where it lay. Some believed the artifact demanded only a listening, a patient listening, while others swore it demanded a sacrifice. The ground beneath us answered not with thunder but with a patient crack, as if the sands were yawning in disbelief at our audacity. In the end, we could not abandon it entirely; we could only choose what portion of ourselves to surrender to its call.
By dawn, the wind carried a new chill, and the cube seemed to rest once more, as if satisfied with the moment of attention. We walked away with tremors in our steps and a map that refused to stay written. The desert kept its secret, and the secret kept the desert alive—moving, listening, waiting for the day we would be too weary to resist its voice again.
Now, when I close my eyes, I see the cube not as a thing in the sand, but as a hinge in the world—the point where light, heat, and memory meet. The Black Cube Beneath the Sands remains, a patient sentinel at the edge of oblivion, waiting for the next listener to forget how to walk away.